Crashing Bodies, Excrement, and Plastics: The Kuchar Brothers in the Sixties (2024)

Experimental Film and Queer Materiality

Juan A. Suárez

Published:

2024

Online ISBN:

9780197567029

Print ISBN:

9780197566992

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Experimental Film and Queer Materiality

Juan A. Suárez

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Juan A. Suárez

Juan A. Suárez

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Pages

91–115

  • Published:

    May 2024

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Suárez, Juan A., 'Crashing Bodies, Excrement, and Plastics: The Kuchar Brothers in the Sixties', Experimental Film and Queer Materiality (2024; online edn, Oxford Academic, 23 May 2024), https://doi.org/10.1093/oso/9780197566992.003.0004, accessed 10 June 2024.

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Abstract

This chapter characterizes the queerness of Mike and George Kuchar’s 1960s films as a materializing drive that reduces sexuality, desire, and the body to excrement. The chapter traces the origins of the Kuchars’ worldview in the popular culture of the 1950s; it explores the role of excrement in the iconography and syntax of their films; and it shows how the excremental is used to subvert the hygienic aspirations of the plastic modernity of their youth. Ubiquitous by mid-century, plastics were endowed with an aura of functionality and newness. In the Kuchars’ films, they range from the ornamental to the absurd to the degraded, excremental, and trashy. Plastic gadgets, synthetic fabrics, toys, knick-knacks, and figurines supplement, replace, or alter human bodies, prompt grotesque passions, and create fantastic environments that, while poised in counterpoint to normality, are still conjured out of the most ordinary of materials.

Keywords: George Kuchar, Mike Kuchar, plastics, excremental aesthetics, underground film, 1960s experimental art, queer materiality

Subject

Literary Theory and Cultural Studies

Collection: Oxford Scholarship Online

Experimental Film and Queer Materiality. Juan A. Suárez, Oxford University Press. © Oxford University Press 2024. DOI: 10.1093/oso/9780197566992.003.0004

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